Every once in a while, I remember I own DVDs. Between Sling and Netflix, I rarely actually watch the movies I own anymore. I am trying to work on that. So, Saturday nights if I have nothing else going on (most of the time) or a book I want to dive into (more likely to be my conflict), I try to re-watch some of my own movies and always ask myself, “do you still want to keep this?”
This weekend I re-visited one old movie that inspired the new movie. Paris When It Sizzles is not the best Audrey Hepburn movie but it’s so ridiculous, I pretty much forgive it for being not the best. It also has a randomly appearing Tony Curtis which makes it that much better in my mind. It’s the story of a playboy screenwriter who needs to deliver his next script in the next three days. His patron sends him a typist to type up the final draft of the script. However, she arrives to discover said screenwriter has not actually written the script yet at all. So, the two of them work together over three days to write a script. The movie is both the screenwriter and typist working on the script as well as the script itself being played out with them in the lead roles. It’s rather overacted, suffering from its time period, and doesn’t actually make much sense in the end but it’s so ridiculous and funny to me that I don’t mind. It’s also like a perfect time capsule of Paris in the 1950s on film; the cinematography is lovely. I can get over the dodginess of the main character and how he treats his typist enough to enjoy the film though it’s definitely tough at times.
So, we’ll move along to the modern version of the same story, Alex & Emma. A down on his luck writer Alex, who gambled away his advance and is suffering from a major case of writer’s block, must deliver his new manuscript to his publisher in three days to get the rest of his money and pay off the loan sharks on his case. However, his computer gets destroyed so his answer is to hire a stenographer, Emma, to dictate his novel too. During dictating the novel, the writer and stenographer also act out the parts of the 1920s love story in predictably ridiculous fashion. In comparison with its inspiration, Alex & Emma fix a lot of the plot holes and actually come up with an interesting story for the novel. It also depicts healthier, more normal romantic relationships so I appreciated that a lot after watching the shudder-inducing swarminess of Paris When It Sizzles. Also, Kate Hudson is really delightful as Emma and all the other characters she gets to play in the book scenes (Ylva, Ilsa, Eldora to Anna) as Alex falls in love with her, both on and off the page. Luke Wilson as Alex is sort of lukewarm in general but that’s sort of his schtick so I didn’t mind it too much. This is a fun romantic comedy that is a little different than the usual formula.
Both are still keepers for the collection though Paris When It Sizzles is one that really shouldn’t be re-watched very often. I’ll stick with Hepburn’s better Paris comedy, Charade. Oh, there’s the next paired re-watch with Charade and the lackluster remake, The Truth About Charlie (though Mark Walberg is adorable per usual)! I own both of those too which surpised me too LOL